Klaipėdos universitetas

Convergence is one the main targets of enlarged EU. According to the analysis of the main sustainable consumption and productionindicators, except domestic material consumption, convergence has been taking place in new EU member states over the period ofeconomic growth in 2000–2007. However, as indicated by the results due to the global economic crisis in 2009 differences betweenthe countries have increased: the convergence rate – the coefficient of variation – increased. In overall terms, countries in CEE haveimproved in most cases and converged to the average of the group. However, in terms of sustainable development, convergencenot always indicates positive changes. New EU member states while striving to reach higher economic level should maintain lowerlevels of consumption, waste generation and pollution. Much more attention to energy and resource efficiency and decoupling ofeconomic growth and resource consumption is to be paid.

The article seeks to reveal the importance of critical evaluation of authority of social workers. The problem of authority and different meanings attached to the role of a social worker are discussed and the practical and theoretical value of the research study is revealed. The article presents the theoretical explanations of the concept of authority and its ethical implications for social work practice at a children day care center. It also discusses the empirical findings of the qualitative case study conducted at the day care center X. The perceptions of its practitioners, what authority of a social worker means and consists of and how to gain it, are peresented. The article includes a detailed description of the specific context of the case study and indicates the selected research methods. The degree of reliability and validity of research study are also discussed. The empirical data of the case study is analyzed and discussed and conclusions are presented.

The article deals with the “theater” of entertainment world as issue of mediated society. Modern Western society can be called a mediated society for a strong impact of new, global media. Under these conditions, society, culture and everyday life is increasingly interpreted using a model of theatre and theatrical metaphors. Theatre is becoming one of the key concepts of the modern Western social categories, such as the use of concepts as simulation or society of the spectacle. Regarding to the wide spread of the new – digital media, especially the Internet, in recent decades of Western society, has increased the consumption of popular culture, one might say, began the era of the entertainment world. This study – one of the first attempts to analyze the philosophical Lithuania entertainment world phenomenon: the genesis, structure, impact on society. This article analyzes the phenomenon of entertainment world: its genesis, structure, impact on society. The objective: to explore the causes and trends of mass spread of the phenomenon of entertainment world in contemporary Western culture as an integral part of a technological breakthrough result of new media. The analysis of the phenomenon of entertainment world aims to: 1) explore genesis, causes and objectives of the world of entertainment as a cultural phenomenon and to reflect critically its forms of thinking and lifestyle; 2) reveal the structure of the entertainment world in twenty-first century society of the spectacle; 3) analyze the influence of the media impact to the entertainment world.