As information technology is becoming a huge part of people’s lives, various genres of folklore are moving online. Old folklore genres are adapting to the changes in people’s lives and are successfully spreading in the online space, while black humour genres on the Internet reflect society, current issues, stereotypes, scandals, and real-life situations. The aim of the article is not only to classify memes (comic units of cultural information), but also to show their relevance and popularity in contemporary society. The paper describes 15 different groups of memes collected from 13 online sources. The analysed works are grouped according to their popularity and the length of their dissemination in the virtual environment (popular, tendentious), and from the most popular examples of this genre, fan-made and political memetic works are distinguished.
The article examines historiographical material of Ukrainian and foreign researchers on the topic of folk clothing of Ukrainians of the Middle Dnipro region from the 19th to the late 20th centuries. Its analysis was carried out according to the thematic and chronological principle. Four stages of research on the clothing of the Middle Dnieper region and adjacent territories are distinguished.
The article examines the issue of money in special circumstances in the towns of Klaipėda and Šilutė in 1918–1923. The main focus is on trying to find out when this money was put into circulation and how long it circulated, as well as to indicate the reasons for its use and to provide new information about the circumstances of the creation of this money. The research has made it possible to reveal many unknown facts: to clarify the dates, to identify new reasons for issuing the money, and to learn about the people who contributed to the creation of this money.
A number of different Midsummer celebration models can be distinguished in Lithuania Minor: the most archaic (14th to 19th century), 20th century, and the modern St John’s Day celebration models. The most archaic celebrations were rich in vestiges of the Baltic world-view and mythology: nature, fire and water were worshipped, and people cast spells to protect themselves from evil forces and ensure a good harvest and a happy life. The 20th-century ritualistic St John’s Day tradition of Prussian Lithuanians lost its existential importance as rituals became customs with new forms and symbolic meanings. The most important features of the celebration are the burning of witches in St John’s fire, and general merriment for youth. In the modern celebration model, there is an attempt to combine ethnic traditions with the needs of the consumer society. Fireworks replace ritual Midsummer fires, as bonfires lose their mythological significance. Although the institutionally organised Midsummer celebrations follow a more or less Lithuania-wide scenario; the centralised organisation of cultural events may be beneficial in fostering local forms of the Lithuanian celebratory tradition by highlighting typical elements of St John’s Day in the region of Lithuania Minor.
The traditional rites of the last week before the beginning of Lent were well known in various ethnographic regions of Ukraine until the middle of the 20th century. The most archaic are the traditional rites, the actions of which are related to the being of the mythical Kolodiy (Колодíй): his “birth”, “baptism”, “funeral”, thus testifying to the summarized life cycle. All this was played out every day during the entire week: married women tied wooden sticks («колóдки») to the bodies of guys and girls who had not been married for too long, they all together destroyed the jackstraw of Kostrub (Кóструб), men’s physical competitions (fisticuffs) were held, known since Kyivan Rus’ times. Here, the tradition of feasting on flour and sour milk dishes was directly related to the cult of the Heavenly Lights and promoted a faster disappearance of the winter manifestations in nature. All the mentioned rites were accompanied by special songs dedicated to them.
This article focuses on the suffixed verbs denominatives and deverbatives of the Anonymous Catechism (1605), i.e. the suffixed derivatives of nominals and verbs. All forms of suffixed verbs and their derivatives were extracted from this source. A total of 301 words were collected. Non-recurring suffixed verbs were identified and generalised by removing prefixes. This revealed that the Anonymous Catechism contains 105 non-repeating suffixed verbs. The suffixed verbs found in the Catechism were divided into synchronically non-segmentable and segmentable verbs, and the basis and categories of the latter were then clarified. The ratio of deverbatives to denominatives, the categories of derivation, the frequency and derivability of suffixes were established.
The article focuses on issues of teaching/learning types of style in Lithuanian as a non-native language. The aim of the study is to analyse the provisions of the ‘Common Framework of Reference for the Teaching and Assessment of Foreign Languages’ and the content of the Aukštuma descriptor of teaching/learning Lithuanian as a foreign language through the use of qualitative methods, and to compare them with the published teaching material for adults. The study proved that, in accordance with these provisions, stylistic differentiations of language should be taught from Level B2 onwards, but very little attention is paid to this area in teaching material. Only one of the teaching resources examined provides a slightly higher number of words with stylistic differences; however, the tasks are not always formulated paying attention to the stylistic meaning of words and collocations.
Mokslinio žurnalo ,,RES HUMANITARIAE“ XXXI numeris pradedamas taikomosios ir istorinės kalbotyros tyrimais. Daivos PAGOJIENĖS ir Vaidos DRUKTEINYTĖS straipsnyje aptariamos lietuvių kalbos kaip negimtosios stiliaus mokymo(si) problemos. Taikant kokybinius metodus, analizuojamos lietuvių kaip negimtosios kalbos stiliaus mokymo(si) nuostatos „Bendruosiuose užsienio kalbos mokymo(si) ir vertinimo metmenyse“ bei lietuvių kaip svetimosios kalbos mokymo(si) turinio apraše „Aukštuma“ ir lyginama su publikuota suaugusiesiems skirta mokomąja medžiaga. Anželika SMETONIENĖ publikacijoje nagrinėja Anoniminio katekizmo (1605) priesaginius veiksmažodžius denominatyvus ir deverbatyvus, t. y. priesagų vedinius iš vardažodžių ir veiksmažodžių. Iš šio šaltinio buvo išrinktos visos priesaginių veiksmažodžių formos ir jų vediniai, nustatytas Anoniminio katekizmo deverbatyvų ir denominatyvų santykis, darybos kategorijos, priesagų dažnumas ir darumas.
2021 metais paminėjome Klaipėdos universiteto 30-metį. Universitetui
30 metų – dar tik vaikystė, aktyviausias naujų patirčių ir grūdinimosi laikas, kliūčių ruožas, kupinas ieškojimų ir pasiekimų. Šiandien paminėjome ir profesorės habil. dr. Audronės Kaukienės 80-metį. Tai tinkama proga ne tik ją pagerbti, bet ir pažvelgti į save kaip universiteto bendruomenę. Tai proga kiekvienam iš mūsų įvertinti save patį, kaip jos narį, iš laiko perspektyvos ir matavimu tų žmonių, kurie savo asmeninėmis pastangomis ir talentu subrandino ir įgyvendino universiteto idėją. Atrinkti įdomiausius faktus ir rasti tinkamą stilių kalbant apie Audronę Kaukienę nėra lengva. Pasakoti apie neeilinę asmenybę šabloninėmis frazėmis, kurių ji pati nemėgo, būtų nepagarba. Šių eilučių autorė yra pirmoji profesorės doktorantė (tais laikais buvo vartojamas toks keistas žodis – „aspirantė“), viena iš jos sukurto ir puoselėto folkloro ansamblio „Vorusnė“ dalyvių. Todėl šis kiek subjektyvus pasakojimas ne tik primins Audronės Kaukienės biografiją ir jos indėlį į Lietuvos mokslą, bet ir papildys detalėmis, liudijančiomis paprastą tiesą, kad mokslininkai yra žmonės.
,,Folklorinių ansamblių kūrimasis, veikla ir mažlietuviškos tapatybės gaivinimas Klaipėdoje labai glaudžiai susijęs su 1971 m. Šiaulių pedagoginio instituto Muzikos fakulteto, kuris 1975 m. tapo Valstybinės konservatorijos Klaipėdos fakultetais, įsteigimu. Klaipėdos fakultetuose folkloro pirmeivė, mokiusi lietuvių filologijos ir muzikos, vėliau lietuvių filologijos ir režisūros studentus, buvo kalbininkė Audronė Jakulienė-Kaukienė“ (L. Petrošienė. Lietuvininkų dainavimo tradicija XX a. antrojoje pusėje – XXI a. pradžioje. Tautosakos darbai, 61, 105).