The question is – whether Mournful lamentations it’s local o non-local tradition? Purpose of the research: investigate music of the Mournful lamentations songs in Lithuania. The conclusions validate the hypothesis that the Mournful lamentations music in Lithuania is non – local, but brought with Lithuanian colour.
Journal:Tiltai
Volume 81, Issue 3 (2018), pp. 99–100
Abstract
Internet users using digital diplomacy techniques can generate state soft power on social networks through the promotion of traditional power resources – culture, values and behaviour. In this way, the digital dissemination of information by states becomes an instrument of their power policy. This article analyses the concept of digital diplomacy, the transformation of its characteristics and activities in the digital space. The text examines the interaction between digital diplomacy and soft power, also focuses on the European Union’s digital diplomacy, which has become an important part of the EU’s foreign policy. Due to the novelty of the topic and the lack of research in the public discourse, the article is relevant to research in order to find out what digital diplomacy methods the EU institutions, diplomats, individual Internet users are and how it forms the European information geopolitics.
Journal:Acta Historica Universitatis Klaipedensis
Volume 34 (2017): The Great War in Lithuania and Lithuanians in the Great War: Experiences and Memories = Didysis karas Lietuvoje ir lietuviai Didžiajame kare: patirtys ir atmintys, pp. 125–146
Abstract
During the Great War, the main conflicting powers established the first public institutions to create and spread propaganda. Governments treated cinema as a powerful medium which might influence men’s minds. While cinema became a potential weapon to use in propaganda struggles, screens in neutral states were made into battlefields. But the cinema wars did not finish after 1918. After the war, films depicting the Great War were made in various countries, and the films often contradicted each other. The article analyses the role that films and stories depicting the Great War played on Lithuanian cinema screens in the interwar period. The first part of the article discusses the relevance of themes of the Great War in the films and newsreels made in interwar Lithuania. The second part provides an overview of foreign films depicting the Great War that were shown in Lithuanian cinemas in the interwar period. Four types of films are distinguished, according to their function. Attempts are made to answer the question whether these films could have contributed to reflections on the Great War in the public sphere in Lithuania at that time.
Journal:Acta Historica Universitatis Klaipedensis
Volume 30 (2015): Contact Zones in the Historical Area of East Prussia = Kontaktų zonos istoriniame Rytų Prūsijos regione, pp. 84–100
Abstract
A fierce national East Prussia-related conflict between Germans and Poles after the First World War basically contrasted with the prewar situation in the province. After the decision taken at the Paris Peace Conference in 1919 to hold a plebiscite in two governmental districts of this German province on their inhabitants’ political affiliations, the vast population there had to take a test on the basic choice of their political, and simultaneously cultural, orientation. Today, researchers agree that the plebiscite of 1920 caused irreversible damage to the multiethnic area. There is no doubt that the so-called Ostdeutscher Heimatdienst organisation strongly contributed to this. The article raises questions as to what circumstances promoted the establishment of the organisation, who its principal actors were, and how they affected the East Prussian population.
Journal:Acta Historica Universitatis Klaipedensis
Volume 26 (2013): Kristijono Donelaičio epochos kultūrinės inovacijos = Cultural Innovations of the Epoch of Kristijonas Donelaitis, pp. 90–98
Abstract
The article explores the musical culture of East Prussia of the 18th c. in different forms of its expression. The epoch of Enlightenment provided a new impetus for the development of the culture in the region. The Protestant Lutheran hymnody was developing, and the tradition of Evangelical surinkimai (prayer hours held in private homes by lay preachers (German: Stundenhalters)) was progressing. Königsberg University was of great significance for the promotion of the regional culture. In the 18th c., the East Prussian school of composition was born, different techniques of instrumental ensemble and solo music making started developing, the house music making traditions were gaining popularity, and big cities had the first musical theatres. It was in that context that the personality of Donelaitis and the character of his cultural activity was maturing and developing.