Res Humanitariae

Studying Macedonian culture, we can not help noticing the particular role of folklore ensembles in fostering traditional music and dances, with a view to cherishing the national characteristics. This process is directed by the highest political bodies, which have disseminated the idea in a few spheres. Firstly, by means of actualization of certain matrices in the national folk ensemble Tanec, which was the benchmark followed by amateur ensembles. On the other hand, state television and radio MRTV, started broadcasting performances of folk music ensembles and programs with specific contents, i.e. where folklore prevailed. Analyzing the situation with the folk dance ensemble Tanec, we can notice that its Statute, as well as its first director Mr Manuel Chuchkov (senior political official) emphasized application, promotion and actualization of folklore in the context of socio-ideological engagement. Several papers written by Chuchkov, consider the usage of folk dances by placing them in historical and ideological contents. Such are the examples of folk dances from this period, into which drama elements are imputed, giving the dances specific historical features and being supposed to encourage patriotic feelings. Folklore used to be used as a tool in the socialist period, but it is still being actualized, in Macedonia nowadays.

The object of this publication is the social network Facebook groups identity. After research, it has been observed that the symbolic groups identity fragmentation represents political and ideological aspects. Socialism and its restoration became the ideological political basis uniting analysed groups members. The group’s members estimate the current Lithuanian political governance system considering the Soviet period ideology, but in the other hand identifying themselves as Lithuanians. It seems that analysed Facebook groups members has experienced identity stagnation and has not changed orientation together with new accepted country’s political ideology. The analysis showed that two “others” categories has emerged: Lithuanian governance, the political elite and compatriots that is not resists Lithuanian policy. In order to highlight the “others” the ruling elite of Lithuania is equated with Jews to split them from the entire nation and anti-resist Lithuanians is equated with lower mental level people. The current liberal democracy and the struggle against it become a grouping factor of analysed group members. A strong group identity maintained in virtual space is not supported in real space. The lack of physical contact between groups members makes it possible to assume that virtual community identity is maintained only in the virtual space.

The article analyses the plays ‘Children in the Amber Palace’ (1985) and ‘The Comedians’ (1994) by Algirdas Landsbergis (1924–2004), an expatriate Lithuanian playwright, novelist, editor, and literary and theatre critic. The article is based on the idea that the connection with the mother is innate, not acquired, and that is why every person’s subconscious contains a preconceived (archetypal) expectation of the image of the mother. The complicated relationship between a mother and child in the creative process is linked to the transformation and de-archetyping of the image of the mother, i.e. the conscious separation from the inherently archetypal concept of motherhood. Therefore, the article analyses the change in the image of the mother as a result of the failure of the interpersonal relationship with the child. A phenomenological approach and Husserl’s theory of values are used to unpack the emotional states of the characters’ experiences. This perspective is chosen because of the archetypal interconnection between the mother and the perception of identity, considering identity as a sensitive topic in the work of diasporic authors. The analysis reveals that the expression of the relationship with the mother in Landsbergis’ dramaturgy is connected with the depiction of a sense of insecurity, and problems of personal identification, exceptional emotionality and exaggerated apathy in children.

Women’s alcohol dependence is a serious concern for the whole of society, negatively affecting not only various important areas of the lives of women themselves, but essentially the mental health of future generations. Researchers have attempted to address the main problems associated with women’s drinking; nevertheless, their findings are still incomplete. Moreover, relatively little scholarly attention has been paid to exploring idiosyncratic alcohol-dependent women identity development processes. This study aims to fill the existing gap in the literature, by conducting an empirical study that would help elucidate the main psycho-social aspects contributing significantly to the identity development of alcohol-dependent women. Ten self-identified alcohol-dependent women participated in the study. Data was collected through life stories and in-depth interviews. The constructivist grounded theory approach (K. Charmaz) was used as a methodological strategy to explore how alcohol-dependent women develop and express their identities in their life stories. In this study, we present internal and external identity development processes, revealing the dilemma of internal detachment by alcohol-dependent women developing an illusory identity. The main aspects of this theoretical structure include compensatory adaptation, power seeking, and avoiding helplessness, which create a vicious triangle, with the need for acceptance and the fear of rejection at its core, all contributing to the development of an illusory identity. Moreover, based on traditional theoretical frameworks, the study builds on the premise that such internal detachment is linked to self-integrity problems, which is further associated with participants’ pursuit of a search for self-meaning in important others. The findings provide new insights about alcohol-dependent identity development processes, discuss the limitations and strengths of the current study, suggest directions for future studies, and highlight the need to see alcohol-dependent women’s problems from the perspective of identity, which is different from traditional psycho-pathological views.

In this article I look at popular forms of self-representation in Lithuania, which are born out of a period of time where EUrope, EUropeanization and modernization are getting increasingly important. I argue that such discourses tend to exclude certain parts of the population and thus show a limited part of a complex picture. As I argue with an example from rural Lithuania, all Lithuanian citizens still respond to the many changes which came about with the EU and incorporate new features in their everyday life. They are, sadly enough, not the ones who get to formulate what it means to be Lithuanian in present day society.