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  5. Volume 24, Issue 2 (2018)
  6. FOLKLORE, DANCE IN THE CONTEXT OF MODELI ...

Res Humanitariae

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FOLKLORE, DANCE IN THE CONTEXT OF MODELING IDEOLOGICAL MESSAGES
Volume 24, Issue 2 (2018), pp. 362–376
Sonja Zdravkova-Djeparoska  

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https://doi.org/10.15181/rh.v24i0.1921
Pub. online: 28 March 2025      Type: Article      Open accessOpen Access

Published
28 March 2025

Abstract

Studying Macedonian culture, we can not help noticing the particular role of folklore ensembles in fostering traditional music and dances, with a view to cherishing the national characteristics. This process is directed by the highest political bodies, which have disseminated the idea in a few spheres. Firstly, by means of actualization of certain matrices in the national folk ensemble Tanec, which was the benchmark followed by amateur ensembles. On the other hand, state television and radio MRTV, started broadcasting performances of folk music ensembles and programs with specific contents, i.e. where folklore prevailed. Analyzing the situation with the folk dance ensemble Tanec, we can notice that its Statute, as well as its first director Mr Manuel Chuchkov (senior political official) emphasized application, promotion and actualization of folklore in the context of socio-ideological engagement. Several papers written by Chuchkov, consider the usage of folk dances by placing them in historical and ideological contents. Such are the examples of folk dances from this period, into which drama elements are imputed, giving the dances specific historical features and being supposed to encourage patriotic feelings. Folklore used to be used as a tool in the socialist period, but it is still being actualized, in Macedonia nowadays.

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Keywords
Macedonia Socialism traditional dance identity

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