Res Humanitariae

This article addresses universal laws of the functioning of open systems involved in myth-oriented semiosis, categorisation and world-modelling. The paper focuses on isomorphic regularities occurring in irrational rationalisation and respective verbal phenomena. The outlined systemic and inter-systemic interactions are interpreted from the standpoint of M-logic methodology, semiotics, cognitive linguistics and cultural studies. The paper suggests formalised notations for logical construals, and demonstrates the cognitive premises of myth-oriented designations and the etymological reconstruction of a basic operator’s content.

The goal of the article is to examine chronologically the specific nature of the Easter holiday in

In the article the paradigm of traditional public administration is analysed by trying to accomplish the critique of the model in the cultural dimension direction and by identifying the crucial elements of post-modernism which, according to the authors, had made an impact for the formation of such a model. There are also revealed the parameters of post-modernism in metanarrative theories of rationality, as the grounded technological and instrumental relation towards traditional paradigm principles by stressing the hierarchical governance, bureaucratic relations, control mechanisms, rational organisational structure and functional division with professionalism. By identifying the main traits of traditional paradigm, the aspects and tendencies of post-modernist organisations are revealed and the controversial answer to the question about the relevance of traditional public administration model is presented.

Having analysed the forms of the shapes of the ethnic musical instruments of the mankind, the data of the research leads to the presumption that the musical instruments convey the images of the fauna, mode of life, which reflects on very ancient processes of the humanity. The great part of the images of these instruments shows not only the animal kingdom and tools of everyday life, but also the ancient totemic world outlook and the means of burying – process of traveling to ‘another’ world. These means were canoes, boats and even sea ships. Connection with the water and sea propose the idea about the features concerning two cultures – fishing and shipping. The reflections and relics are evident in the shapes of the ethnic musical instruments of mankind. However, the ‘Sea’ culture is noticeable only in the civilisations of ancient Egypt, Mesopotamia and Greece and in the traditions of using the musical instruments of the current people living in these areas. The ‘Water’ culture relates with fishing in the local rivers and lakes and is evident in the traditions of many nations of the world. The images of the fishing culture are the most noticeable feature of the instruments of the Baltic people.

In this article, a Neolithic anthropomorphic clay figurine from the Ģipka dune settlement in the littoral of Northern Kurzeme is examined as a versatile source of knowledge, forming an idea of the activities of the ancient individual in the field of ideology. This original figurine is analyzed by discovering the many-sidedness of its informative content, which lies not only within the originality of this find, but also in its significance in the examination of so far unsolved questions in the archaeological literature of the Eastern Baltic. These are questions concerning the role of the rite in the everyday life of the Neolithic individual. The scientific significance of the examined figurine is emphasised by the conditions of its finding at the fortified dune settlement, which was visited only during a particular season due to the yearly performance of an undertaking of a ritual character. The special conditions of the finding of this anthropomorphic clay figurine are dealt with in this article (the placement in the pit dug under the palisade), its gender affiliation and time of manufacture have been determined, as well as the possible cultural source, the character of the modelling of the figurine, the manufacturing technique, the design and style, decoration, its symbolism, the fragmentation (breakage) of the figurine, and the aim of its usage within the common procedure of the performance of the ritual action. The originality of the find is also stressed among other Neolithic anthropomorphic figurines that have been found so far in Northern Kurzeme and among Neolithic anthropomorphic finds of a similar style in the Åland Islands (Finland) found at the beginning of the 20th century. Attention is paid to the fact that for the first time in the field of Neolithic research of the Eastern Baltic there is a situation when the spatial context of religious (mythological) or cult practice can be perceived. It is characterised by five interrelating zones or elements: place, where the cult (rite) was practised, imagery that is connected to the cult practice, devices, participants in the cult and the actual action of the cult. The examined figurine from the Ģipka A site is only one of 20 found here in the dune settlements of Northern Kurzeme. These settlements are places for the performance of rites, where specially manufactured anthropomorphic figurines can personify the spirits of ancestors of different generations, for the cult of ancestors, was among the most evident cults practised by aborigine communities. The “shadows of the ancestors” were those that could give descendants different benefits, or take them away. Here at the Ģipka dune settlements, and in no other place, these figurines were broken and placed in specially dug pits, where big and small fireplaces were also burnt. This was carried out by particular persons, the elder or the soothsayer of the community, and these procedures were regulated strictly during the performance of the rite, when a contingent of other interested