Journal:Tiltai
Volume 95, Issue 2 (2025), pp. 185–199
Abstract
The aim of the article is to argue against a few problem aspects in narrative therapy practice from the perspective of Patristic anthropology. The author focuses on several parallel issues in the practical implementation of the method, which gives an opportunity to discuss the methodology to solve essentially important conceptual issues. The assumption that merely replacing the dominant narrative with the more promising alternative can solve a client’s crisis issue is put into doubt. The thesis common in classic narrative therapy that ‘the problem is the problem [of the narrative], but the client is not the problem’ (Differentiating the Client, 2024) is revisited. A simple replacement of the narrative may be a temporary solution, since it affects only the surface of the narrative, only the shell composed of a sequence of external events, but narrative therapy in its classic form as a long-term solution to the identity crisis fails.
Studying Macedonian culture, we can not help noticing the particular role of folklore ensembles in fostering traditional music and dances, with a view to cherishing the national characteristics. This process is directed by the highest political bodies, which have disseminated the idea in a few spheres. Firstly, by means of actualization of certain matrices in the national folk ensemble Tanec, which was the benchmark followed by amateur ensembles. On the other hand, state television and radio MRTV, started broadcasting performances of folk music ensembles and programs with specific contents, i.e. where folklore prevailed. Analyzing the situation with the folk dance ensemble Tanec, we can notice that its Statute, as well as its first director Mr Manuel Chuchkov (senior political official) emphasized application, promotion and actualization of folklore in the context of socio-ideological engagement. Several papers written by Chuchkov, consider the usage of folk dances by placing them in historical and ideological contents. Such are the examples of folk dances from this period, into which drama elements are imputed, giving the dances specific historical features and being supposed to encourage patriotic feelings. Folklore used to be used as a tool in the socialist period, but it is still being actualized, in Macedonia nowadays.
This article is the analysis of Jurgis Šaulys’s letters to Morta Zauniūtė which are held in the Vilnius University library. These letters represent a lot of new details on all of their lives, personalities and creations. This article discusses the impact J. Šaulys had on all of their lives by analysing their correspondence. This article shows initial stages of J. Šaulys life as a cultural figure who will eventually be viewed as one of the most influential organisators of the literary life of the beginning of the 20th century.
Journal:Tiltai
Volume 83, Issue 2 (2019), pp. 1–19
Abstract
Women’s alcohol dependence is a serious concern for the whole of society, negatively affecting not only various important areas of the lives of women themselves, but essentially the mental health of future generations. Researchers have attempted to address the main problems associated with women’s drinking; nevertheless, their findings are still incomplete. Moreover, relatively little scholarly attention has been paid to exploring idiosyncratic alcohol-dependent women identity development processes. This study aims to fill the existing gap in the literature, by conducting an empirical study that would help elucidate the main psycho-social aspects contributing significantly to the identity development of alcohol-dependent women. Ten self-identified alcohol-dependent women participated in the study. Data was collected through life stories and in-depth interviews. The constructivist grounded theory approach (K. Charmaz) was used as a methodological strategy to explore how alcohol-dependent women develop and express their identities in their life stories. In this study, we present internal and external identity development processes, revealing the dilemma of internal detachment by alcohol-dependent women developing an illusory identity. The main aspects of this theoretical structure include compensatory adaptation, power seeking, and avoiding helplessness, which create a vicious triangle, with the need for acceptance and the fear of rejection at its core, all contributing to the development of an illusory identity. Moreover, based on traditional theoretical frameworks, the study builds on the premise that such internal detachment is linked to self-integrity problems, which is further associated with participants’ pursuit of a search for self-meaning in important others. The findings provide new insights about alcohol-dependent identity development processes, discuss the limitations and strengths of the current study, suggest directions for future studies, and highlight the need to see alcohol-dependent women’s problems from the perspective of identity, which is different from traditional psycho-pathological views.
In this article I look at popular forms of self-representation in Lithuania, which are born out of a period of time where EUrope, EUropeanization and modernization are getting increasingly important. I argue that such discourses tend to exclude certain parts of the population and thus show a limited part of a complex picture. As I argue with an example from rural Lithuania, all Lithuanian citizens still respond to the many changes which came about with the EU and incorporate new features in their everyday life. They are, sadly enough, not the ones who get to formulate what it means to be Lithuanian in present day society.