Acta Historica Universitatis Klaipedensis

The aim of the article is to argue against a few problem aspects in narrative therapy practice from the perspective of Patristic anthropology. The author focuses on several parallel issues in the practical implementation of the method, which gives an opportunity to discuss the methodology to solve essentially important conceptual issues. The assumption that merely replacing the dominant narrative with the more promising alternative can solve a client’s crisis issue is put into doubt. The thesis common in classic narrative therapy that ‘the problem is the problem [of the narrative], but the client is not the problem’ (Differentiating the Client, 2024) is revisited. A simple replacement of the narrative may be a temporary solution, since it affects only the surface of the narrative, only the shell composed of a sequence of external events, but narrative therapy in its classic form as a long-term solution to the identity crisis fails.

Studying Macedonian culture, we can not help noticing the particular role of folklore ensembles in fostering traditional music and dances, with a view to cherishing the national characteristics. This process is directed by the highest political bodies, which have disseminated the idea in a few spheres. Firstly, by means of actualization of certain matrices in the national folk ensemble Tanec, which was the benchmark followed by amateur ensembles. On the other hand, state television and radio MRTV, started broadcasting performances of folk music ensembles and programs with specific contents, i.e. where folklore prevailed. Analyzing the situation with the folk dance ensemble Tanec, we can notice that its Statute, as well as its first director Mr Manuel Chuchkov (senior political official) emphasized application, promotion and actualization of folklore in the context of socio-ideological engagement. Several papers written by Chuchkov, consider the usage of folk dances by placing them in historical and ideological contents. Such are the examples of folk dances from this period, into which drama elements are imputed, giving the dances specific historical features and being supposed to encourage patriotic feelings. Folklore used to be used as a tool in the socialist period, but it is still being actualized, in Macedonia nowadays.

The object of this publication is the social network Facebook groups identity. After research, it has been observed that the symbolic groups identity fragmentation represents political and ideological aspects. Socialism and its restoration became the ideological political basis uniting analysed groups members. The group’s members estimate the current Lithuanian political governance system considering the Soviet period ideology, but in the other hand identifying themselves as Lithuanians. It seems that analysed Facebook groups members has experienced identity stagnation and has not changed orientation together with new accepted country’s political ideology. The analysis showed that two “others” categories has emerged: Lithuanian governance, the political elite and compatriots that is not resists Lithuanian policy. In order to highlight the “others” the ruling elite of Lithuania is equated with Jews to split them from the entire nation and anti-resist Lithuanians is equated with lower mental level people. The current liberal democracy and the struggle against it become a grouping factor of analysed group members. A strong group identity maintained in virtual space is not supported in real space. The lack of physical contact between groups members makes it possible to assume that virtual community identity is maintained only in the virtual space.

This article is the analysis of Jurgis Šaulys’s letters to Morta Zauniūtė which are held in the Vilnius University library. These letters represent a lot of new details on all of their lives, personalities and creations. This article discusses the impact J. Šaulys had on all of their lives by analysing their correspondence. This article shows initial stages of J. Šaulys life as a cultural figure who will eventually be viewed as one of the most influential organisators of the literary life of the beginning of the 20th century.

In this article I look at popular forms of self-representation in Lithuania, which are born out of a period of time where EUrope, EUropeanization and modernization are getting increasingly important. I argue that such discourses tend to exclude certain parts of the population and thus show a limited part of a complex picture. As I argue with an example from rural Lithuania, all Lithuanian citizens still respond to the many changes which came about with the EU and incorporate new features in their everyday life. They are, sadly enough, not the ones who get to formulate what it means to be Lithuanian in present day society.