BRONIAUS KUTAVIČIAUS „PRUTENA“ (1977) PAGAL LIUDVIKO RĖZOS EILĖRAŠTĮ – LIETUVOS SĄJŪDŽIO PRANAŠAS // BRONIUS KUTAVIČIUS’ PRUTENA (1977), BASED ON A POEM BY LIUDVIKAS RĖZA, AS A HERALD OF THE LITHUANIAN SĄJŪDIS MOVEMENT
Martynas Liudvikas Rėza (Martin Ludwig Rhesa, 1776–1841) is not only one of the most famous Lithuanian in the history of Lithuanians writings, but also a famous member of the Königsberg Masonic lodge Zu den drei Krönen, who has been astonished by the amplitude of his interests and the abundance of his works that still surprising. The range of activities of Rėza, his literary ambition range are wide – from the religious writings to the publishing of secular literature and folklore. Carefully going into the professors’ Lithuanian activities, the aspect of Rėza’s Masonry is important. Masonic echoes are found in Rėza’s publishing activities, correspondence and in relationships with well-known scholars and writers. The article aims to look more closely at the Masonic relations of Rėza in his Lithuanian activities.
Journal:Res Humanitariae
Volume 17, Issue 1 (2015): 1, pp. 243–253
Abstract
The paper discusses the expression of childhood images in the creative works of three outstanding Lithuanian directors with different creative visions. Its aim is to explore and characterise some of the traits of childhood expression in the productions of Rimas Tuminas, Oskaras Koršunovas, and Eimuntas Nekrošius, as well as to discuss potential influences on the formation of their world outlooks and creative styles. The paper presents the key motiffs of childhood that made an impact on the development of the directorial concept and stylistic expression in one or another production. The author seeks to disclose the opportunities of artistic transformation of the events, impressions, or traumatic situations experienced in the childhood in the creative work of directors of different generations.
Journal:Acta Historica Universitatis Klaipedensis
Volume 32 (2016): Transfers of Power and the Armed Forces in Poland and Lithuania, 1919–1941 = Valdžios transferai ir ginkluotosios pajėgos: Lenkija ir Lietuva 1919–1941 metais, pp. 17–40
Abstract
The paper presents a morphological classification of revolutions in Western culture, and focuses on the transformation of the revolution into a political idea, the gravitation of the concept of revolution from implications of ‘returning to the essence’ towards ‘a breakthrough to the essence in the future’, the differences between national, class and social revolutions, and ultimately, concepts of revolution of everyday life and hybrid revolution. In the context of the changes in the idea of revolution, the question is raised as to how the concept of revolution, having experienced numerous differences in notional content, can be applied to armed and unarmed attempts at the transfer of power in Lithuania in the 19th and 20th centuries.