Using authentic material from inhabitants of Lithuania Minor, the article analyses the specific nature of the feast of Pentecost in this region, in terms of its chronological development (starting with the first written references up to this day), in order to reveal the most conspicuous stages in its development, and modern transformations of the customs and traditions. The article covers the main elements of the feast of Pentecost for the Lietuvininkai dating from the end of the 19th and the 20th century. These elements are then compared to the feast of Pentecost in other regions, in order to reveal structural and functional changes in calendar festivals.
The instrumental music-making tradition of Lithuania Minor was officially recognised as a valuable part of the Intangible Cultural Heritage and included in the national register in 2022. In the 20th century, the way of preserving the instrumental music-making of the Lietuvininkai (the inhabitants of Lithuania Minor) typically used for folklore was not followed, and it would have ceased to exist. However, the folklore revival movement that emerged in the 1960s, along with the determined efforts of Antanas Butkus, a master instrument maker, to restore the folk music instruments of Lithuania Minor, and other favourable circumstances, gave rise to renewed interest and new directions for the development of the tradition. The purpose of this article is to explore the forms and development of this folklore tradition, and to identify the factors that had the most important impact on its decline, restoration and continuity.
From the earliest descriptions and studies, the Prussian Lithuanians, or Lietuvininkai, and their sung folklore have usually been treated as one unit. However, the ethnographic region of Lithuania Minor is a vast territory stretching over 200 kilometres from north to south. Two distinct areas of ethnic Lietuvininkai music can be identified within it. This article aims to investigate the musical features of the folklore that existed in the Klaipėda district, and to reveal its uniqueness in the context of Lietuvininkai sung folklore.
“Gray customs system” is an illegal practice of getting goods across the border without official customs approval. Such practice makes a negative impact on Russia-China economic relations and is, therefore, considered as a barrier for bilateral economic relations between Russia and China. In this context, the paper examines the problems occurred due to the gray customs system and the action taken to mitigate this problem. The research method used for this article is the case study method referring to secondary data, scholarly literature and reports.
The goal of the article is to examine chronologically the specific nature of the Easter holiday in
Lithuania Minor, to determine structural and functional changes in calendar traditions and rites. The main task is to differentiate and characterise models of the Lietuvininkai Easter holiday: archaic (from the first mention of holidays to the end of the 19th century); the end of the 19th century to the 20th; and the present time (since 1990).