Acta Historica Universitatis Klaipedensis

Using authentic material from inhabitants of Lithuania Minor, the article analyses the specific nature of the feast of Pentecost in this region, in terms of its chronological development (starting with the first written references up to this day), in order to reveal the most conspicuous stages in its development, and modern transformations of the customs and traditions. The article covers the main elements of the feast of Pentecost for the Lietuvininkai dating from the end of the 19th and the 20th century. These elements are then compared to the feast of Pentecost in other regions, in order to reveal structural and functional changes in calendar festivals.

The instrumental music-making tradition of Lithuania Minor was officially recognised as a valuable part of the Intangible Cultural Heritage and included in the national register in 2022. In the 20th century, the way of preserving the instrumental music-making of the Lietuvininkai (the inhabitants of Lithuania Minor) typically used for folklore was not followed, and it would have ceased to exist. However, the folklore revival movement that emerged in the 1960s, along with the determined efforts of Antanas Butkus, a master instrument maker, to restore the folk music instruments of Lithuania Minor, and other favourable circumstances, gave rise to renewed interest and new directions for the development of the tradition. The purpose of this article is to explore the forms and development of this folklore tradition, and to identify the factors that had the most important impact on its decline, restoration and continuity.

From the earliest descriptions and studies, the Prussian Lithuanians, or Lietuvininkai, and their sung folklore have usually been treated as one unit. However, the ethnographic region of Lithuania Minor is a vast territory stretching over 200 kilometres from north to south. Two distinct areas of ethnic Lietuvininkai music can be identified within it. This article aims to investigate the musical features of the folklore that existed in the Klaipėda district, and to reveal its uniqueness in the context of Lietuvininkai sung folklore.

Like many other towns in East Prussia, Klaipėda lost almost all its former population during World War II and was inhabited by newcomers after 1945. After an example of Klaipėda, the article analyzes the process of comprehension of a newly inhabited area and making it one’s own. Klaipėda became a former East Prussian city having returned to Lithuania and simultaneously incorporated into the Soviet Union. That caused the clash of interests, the development of which also changed the systems of meanings that provided a framework for the appropriation process. The city was gradually comprehended in the process of formation of unique interrelationships of the meanings of Soviet ideology, all-Union patriotism, Lithuanian national culture, and East Prussian cultural heritage. In the article, the author identifies the processes that affected different configurations of the said interrelationships in different post-war periods.

The paper gives an overview of military developments on the final stage of Second World War in the East Prussia territory. The events in this area had been sticked in collective German memory as an Apocalypse. The extensive crimes committed by the conqueror, the motives for the mass criminality in East Prussia are examined as well. These events left a collective trauma in the culture of German remembrance, but the consequences for the Soviet Union were also negative.