Acta Historica Universitatis Klaipedensis

The appearance of portrait miniature is traditionally dated back to the 16th century when the miniature became a portrait genre. The Reformation processes occurring in Europe at the time also influenced the genesis of forms, technique and style of portrait miniatures. This paper focuses on the factors (related to the Reformation) which affected the formation of new images embodied in H. Holbein’s and N. Hilliard’s works. The rise of the portrait miniature as a new type of portrait, its features, and uniqueness of its properties are explained through the study of certain political, social, and cultural aspects of the Reformation movement in the context of English art.

The article analyzes the links between the hymnals of Prussian Lithuanians (M. Mažvydas, B. Vilentas, A. F. Šimelpenigis and others) and local German publications until 1750. It is assumed that the Prussian Lithuanians prepared their official hymns by using books relied on indigenous Germans. The main conclusion was that Prussia and all diferent national groups had a common treasure of hymns, which could be freely adjusted and supplemented.

The main objective of this study is to show the willingness of citizens to act through the prism of opportunities offered by participation at the local level. Citizens’ activity in public life is the core of democracy. Their engagement may assume various forms, among which the most common form is participation in elections. When it comes to direct democracy, participation in referendums is most widespread. However, an element of democracy, which is cognitively equally important as the above ones, results from citizens’ engagement in institutional activity through membership in political parties, trade unions, non-governmental organisations or local associations. It is also worth mentioning the participation expressed through signing of petitions, taking part in demonstrations or involvement in local initiatives. Having considered all the above data, one can state that it is clearly visible who undertakes political participation in Poland more often, and for whom this is a less frequent activity. This analysis with its conclusions seems to be a crucial suggestion for people who would like to take effective steps in order to increase citizens’ engagement in politics.

The subject of this study is to present the process of implementing the concept of e-citizen in Poland in the perspective of industry 4.0. In the global world, a significant part of public administration, including local government administration, aims to increase activity using Information and Communication Technology. This process allows introducing more efficient functioning of public administration, especially in the scope of providing services to the citizen. Changes in the functioning of public administration are forced by changes in ICT, in particular by those resulting from the current implementation of the concept of industry 4.0. The result of the research was a description not only the legal bases or development policies of public e-administration, but first and foremost to indicate its practical implementation effects. As part of the practical effects, the study will present examples of the effects of e-administration implementation in the Otwock County. In particular, the attention will be paid to the implementation of elements of computerization of administration by the local authorities, and how it affects local sustainable development.

How were the Reformation and a variety of different confessionalisations manifested in material culture? The article discusses this issue by presenting a dozen examples of works of art relating to the present territory of Latvia. In 1521, when urban citizens there responded to the ideas of the Reformation for the first time, a large part of present-day Latvia belonged to a conglomerate of various holdings called the Livonian Confederation. The religious polarisation of society characteristic of the early period of the Reformation (the 1520s) is represented in works of art discussed in the first chapter. The second chapter discusses works from the period of political instability caused by the First Northern War (1558–1583). It is characterised by Livonia’s political, cultural and confessional division, of which representations can also be seen in many examples of the visual arts.