The article deals with the structural-genetic and cultural-genetic aspects of table evolution. Varieties, design features as a separate element, as well as element of the interior of the dwelling (stationary benches, mobile benches, small benches) have been analysed. The table in the Polissya dwelling performed originally a sacred-symbolic function as it was investigated in field material and written sources. Table played a role of a kind of a home altar. As a place for everyday eating table began to be used quite late. Table predecessors were stationary benches, mobile benches and small benches.
The article focuses on short-rooted infixed and sta stem verbs attested in the works written by Samogitian authors dating back to the 16–19th century. In this article the aforementioned verbs are classified and analysed according to the type of the consonant closing the verbal root which supposedly underpins different models of their constructional alternation. The morphological structure of verbs attested in the old Samogitian scripts exhibit similar alternation models to those found in current Samogitian sub-dialects, however, there are some notable differences as well. The verbs found in old Samogitian scripts are compared to those found in Samogitian sub-dialects in order to determine the localization of alternating forms, their chronological and areal distribution as well as the tendencies and motives for their structural change. Also, an attempt is made to determine the earliest stage and localization of the use of na stem forms attested in the Samogitian written texts in question.
The article deals with the diachronic interpretation of material from the Indo-European, Altaic and Afro-Asiatic language families, reaching, on one hand, the etymons of the first level (Ancient Greek *okṷịe-, Albanian *okṷi-, Turkic *uk(ā)-, Mongolian *ukа-) and the second level (Indo-European *hṷekṷ- / *heuk-, Altaic *uka-, Afro-Asiatic *Hwq-), and on the other hand, the third level (Nostratic *HuḲa), and allows us to fix both a divergent and convergent relationship of correspondences, taking into account the established laws.
This article analyses and compares life narratives from the previous and currently working librarians of Ukmergė district between the time period of 2016–2018. The analysed narratives reveal the most distinct connections between identity of librarians and their professional activity, and reflect the realia of cultural and social life. Comparison of previous and current narratives reveals experiences of different generations having the same profession, what helps to understand how the specific features of human personality reveal in a specific time period. The narratives of librarians reveal the importance of the community when accepting a cultural worker to a team and supporting him/her, also the role of a library as a “shelter” for the community groups that are considered outcasts becomes apparent, and the supplementary social roles of a librarian are revealed.
Interest in ensemble performing is increasing in modern culture, so the study of the double piano concerto, a large ensemble genre, in the context of the modern understanding of culture as a universal informational and communicative space, is relevant. Culture is a means of socio-cultural communication, carried out through the generation and transmission of communicative codes that make up the text of culture. Through the realisation of a person’s creative potential in culture, art contributes to the comprehension of man’s being-in-culture, and his involvement in the cultural-creative process. This article is devoted to an analysis of the specificity of the concerto for two pianos and orchestra, in the context of the theoretical understanding of communicative processes in culture.
The article presents Lithuanian culture concept priešas and the concept of Russian culture враг comparative analysis, based on 100 samples of mass-media’s discourse (in Lithuanian language and Russian language corpus). Comparison was performed via tertium comparationis: what is known as an enemy, what signs of the enemy are essential, what does enemy do, etc. Analysis showed that in Lithuanian vision the same entity can be both friend and enemy; Russian examples of similar meaning have not been found. The examples of an enemy in Russian discourse may be Great Britain, Germany, German, in Lithuanian discourse – Polish attacking groups, bolshevik. Lithuanian mass-media’s discourse 56 times more often uses word enemy than the Russian mass-media’s discourse.
The main objective of this study is to describe the main characteristics of the Spanish interlanguage of a group of Lithuanian learners, as well as to establish differences in the evolution of the interlanguage among learners of the basic and advanced levels. Four main types of errors will be studied: morphosyntactic, lexical, phonetic and orthographic, using linguistic and statistical criteria and trying to offer as complete analysis as it is possible, both in the descriptive plan and in explaining the hypotheses about the cause of the errors. The purpose is to get data for improving the teaching methodology and for creation of specific materials for teaching Spanish, aimed at native speakers of Lithuanian.
The article is a study of the ways the mythical concepts of the English mythological conceptual world-view are reflected in the Old English lexis. To explain this, we combine all the concepts under analysis into conceptual segments according to their dominant conceptual features. In the article, we specifically dwell on the conceptual segment of the RELIGIOUS SPHERE, which integrates three sub-segments, GOD (god), DEVIL (deofol), and RELIGIOUS/SPIRITUAL NOTIONS.
In the context of XVI–XVII centuries written sources, this article provides an overview and evaluation of authenticity of to the Balts pantheon and the water sphere attributable deities Perdoytus, Wejopattis, Gardouten, Bangpjtjs, Luobgelda (partly Bardoayts) that were described in Matas Pretorijus (Matthäus Prätorius) work “Sights of Prussia, Or Prussia’s Observation Place” (Deliciae Prussicae, oder Preussische Schaubϋhne) (the end of the 17th century). The focus of this article is on the analysis of authenticity Perdoytus (Gardouten ↔ Bardoayts) and opposition between Wejopattis ↔ Bangpjtjs mythologemes. In order to assess the validity of data the author uses in-depth comparative research whose core is in the comparison of the original and secondary material, allowing to determine who, when and what kind of mythical material changes were made. The study revealed that the mythical information provided by M. Pretorijus and other ancient written sources from XVI–XVII centuries are overshadowed by redundant and unauthentic information or interpretations of chroniclers. The author attempts to define this multi-level mental and physical phenomena by introducing a new term information noise in the verification process of ancient written sources.
The article discusses the characteristics of the literary language used in Old Believer Russian folk pictures found during field investigations in the lower Yenisey river in the Republic of Tuva. Modern folk pictures are considered as a complete artistic whole in which all the visual tools convey the characteristics of the ideology of the Old Believer traditional culture and reflection of the modern world. Modern Russian folk pictures draw image and text from icons, manuscripts and printed books, wherein the contradictory tendencies of modern art are traced postmodernism with the elements of interpretation of ancient art.