Res Humanitariae

The instrumental music-making tradition of Lithuania Minor was officially recognised as a valuable part of the Intangible Cultural Heritage and included in the national register in 2022. In the 20th century, the way of preserving the instrumental music-making of the Lietuvininkai (the inhabitants of Lithuania Minor) typically used for folklore was not followed, and it would have ceased to exist. However, the folklore revival movement that emerged in the 1960s, along with the determined efforts of Antanas Butkus, a master instrument maker, to restore the folk music instruments of Lithuania Minor, and other favourable circumstances, gave rise to renewed interest and new directions for the development of the tradition. The purpose of this article is to explore the forms and development of this folklore tradition, and to identify the factors that had the most important impact on its decline, restoration and continuity.

From the earliest descriptions and studies, the Prussian Lithuanians, or Lietuvininkai, and their sung folklore have usually been treated as one unit. However, the ethnographic region of Lithuania Minor is a vast territory stretching over 200 kilometres from north to south. Two distinct areas of ethnic Lietuvininkai music can be identified within it. This article aims to investigate the musical features of the folklore that existed in the Klaipėda district, and to reveal its uniqueness in the context of Lietuvininkai sung folklore.

The article analyzes the links between the hymnals of Prussian Lithuanians (M. Mažvydas, B. Vilentas, A. F. Šimelpenigis and others) and local German publications until 1750. It is assumed that the Prussian Lithuanians prepared their official hymns by using books relied on indigenous Germans. The main conclusion was that Prussia and all diferent national groups had a common treasure of hymns, which could be freely adjusted and supplemented.

The goal of the article is to examine chronologically the specific nature of the Easter holiday in

The purpose of this article is to answer the questions raised in the course of the research on the development of textile pocket of the national costume of Lithuania Minor in relation to the motivation for production and wearing of pockets, the choice in decoration characteristics, the symbolism of ornamentation and colour combinations. The analysis of the accomplished field research reveals the manifestations of the expression of the ethnocultural identity through production and wearing of textile pockets. The analysis of the symbolic meanings traditionally attributed and newly assigned to the chosen decorative elements of pockets reveals the cases of the continuity and change of a symbol. The act of wearing a pocket not only with the national costume of Lithuania Minor demonstrates the expression of one’s identity through wearing the chosen parts of clothing. The growing demand stimulates the production of textile pockets. The research analyses the material collected from the well-informed presenters (makers and wearers of textile pockets) based on the questionnaires compiled by the author of the present article.