Acta Historica Universitatis Klaipedensis

The appearance of portrait miniature is traditionally dated back to the 16th century when the miniature became a portrait genre. The Reformation processes occurring in Europe at the time also influenced the genesis of forms, technique and style of portrait miniatures. This paper focuses on the factors (related to the Reformation) which affected the formation of new images embodied in H. Holbein’s and N. Hilliard’s works. The rise of the portrait miniature as a new type of portrait, its features, and uniqueness of its properties are explained through the study of certain political, social, and cultural aspects of the Reformation movement in the context of English art.

The article analyzes the links between the hymnals of Prussian Lithuanians (M. Mažvydas, B. Vilentas, A. F. Šimelpenigis and others) and local German publications until 1750. It is assumed that the Prussian Lithuanians prepared their official hymns by using books relied on indigenous Germans. The main conclusion was that Prussia and all diferent national groups had a common treasure of hymns, which could be freely adjusted and supplemented.

In 1942 the Lithuanian Reformed Collegium resurrected the Lutheran ecumenical hymnal project which the Lutherans had dropped after the repatriation of 1941. The Lithuanian book appeared in an abridged version entitled: Evangelikų Giesmynas su Maldomis (Evangelical Hymnal with Prayers) later that year. By special permission of the Lutheran consistory, only the Kaunas Lutheran congregation used this hymnal. In 1943 the Lutheran pastors established their own hymnal commission to produce a suitable Lutheran hymnal, based on the Pagerintos giesmių knygos (Improved Books of Hymns), the official Lithuanian Lutheran hymnal at that time. The soviet occupation made it impossible to continue the project. The book was not popular in the Reformed Church, especially after the apostasy of Adomas Šernas. It was only in 1986 that it was made the official hymnal of the Lithuanian Reformed Church because copies of the old official hymnal were no longer available.

How were the Reformation and a variety of different confessionalisations manifested in material culture? The article discusses this issue by presenting a dozen examples of works of art relating to the present territory of Latvia. In 1521, when urban citizens there responded to the ideas of the Reformation for the first time, a large part of present-day Latvia belonged to a conglomerate of various holdings called the Livonian Confederation. The religious polarisation of society characteristic of the early period of the Reformation (the 1520s) is represented in works of art discussed in the first chapter. The second chapter discusses works from the period of political instability caused by the First Northern War (1558–1583). It is characterised by Livonia’s political, cultural and confessional division, of which representations can also be seen in many examples of the visual arts.

The article examines the role of the last Jagiellonian monarchs, Sigismund I (1506-1548) and his son Sigismund II Augustus (1548-1572), in promoting and securing religious peace in the multi-confessional society of the 16th-century Rzeczpospolita. The author argues that the Jagiellonian dynasty, which ascended to the Polish throne in 1386 and ruled until 1572, contributed significantly to the rise of religious pluralism in Poland and Lithuania, and paved the way for a mechanism of tolerance which made it possible for religious groups to live together and to respect their religious diversity. The author analyses the anti-heretical laws passed by Sigismund I in the 1520s, and Sigismund II in the 1550s, which were intended to suppress the dissemination of Reformation ideas. In these documents, both monarchs declared their loyalty to the Roman Church, and threatened followers of the Reformation with severe penalties. All these documents give an insight into the religious policy of the Polish kings. Anti-heretical legislation was just one part of a more complex and sophisticated policy of the Jagiellonian kings, which aimed at preserving the religious status quo in the multi-ethnic and multi-confessional Rzeczpospolita.