This article examines the impact of the historiographical work of Simonas Daukantas (1793–1864) on the dramas by Vydūnas (real name Vilhelmas Storostas, 1868–1953). From 1900 onwards, Vydūnas’ published works increasingly featured mentions of Daukantas and excerpts from the historian’s writings. A number of Daukantas’ intertexts are found in the drama Probočių šešėliai (Shadows of the Ancestors), written in 1900. This article, based on a comparative analysis of the writings by Daukantas and Vydūnas, raises the hypothesis that the author of the dramas was the ideal reader of the historian’s writings, and took various concepts, motifs and images from them. Vydūnas was inspired by Daukantas, and used the historian’s phrase ‘bočių probočių’ (ancestors of ancestors) and the concept of ‘tautos būdas’ (national identity) as a description of the essence of the nation, which is prevalent in his work published in 1845, and other concepts. He was the first to objectify the world created by Daukantas, and allowed Lithuanians to play the role of the ancient Lithuanian on the stage, and choose what was relevant in establishing modern Lithuanian society. The analysis reveals that Vydūnas saw the ancient Lithuanian world created by the historical writings by Daukantas as an archetype, and transposed it to a philosophical level. He also created a universal model for the link between the individual and the homeland; and in dramas, he presented simulation models for testing the proposed axiology.
The article analyses expression of anxiety in human self-perception in the context of the original sin. This phenomenon is examined from the perspective of psychological and theological sciences considering how these two scientific branches could serve in the interpretation of the causes of human anxiety. In the context of scientific analysis a person experiences anxiety as a subconscious state which causes feelings of insecurity, helplessness and spiritual distress as a lack of the meaning of life. This anxiety has its own cause – the original sin. The conclusions of the research highlight four operational spheres of anxiety: failure to understand reality, loss of identity, guilt and shame. These issues threaten the person with non-existence, self-loss, deserved and undeserved punishment as well as fear to be estranged and isolated. Restoration of the authentic humanity is possible only by the power of the divine Incarnation.
Journal:Archaeologia Baltica
Volume 10 (2008): Astronomy and Cosmology in Folk Traditions and Cultural Heritage, pp. 263–267
Abstract
Since its origins, archaeoastronomy has been influenced by nationalist traditions in archaeology. This paper addresses the consequences of these political influences, considering several important questions: To what extent is this quest for past astronomies influenced by nationalist political agendas? How should those of us studying past astronomies respond to these external pressures? To what extent is comparatively recent ethnographic and folkloric evidence suitable for the recovery of past astronomies? The author considers that awareness of these influences and limitations is essential for any scholarly attempt to recover past astronomies.