Klaipėdos universitetas

The article provides an overview of the emergence of the term ethnic culture, analysing how the notion of ethnic culture is understood in the ethnology of Western countries, and how it is interpreted by the creators of ethnos theory. In Lithuania, not only cultural workers but also scholars and researchers understand ethnic culture very differently. In order to dispense with the chaotic and extremely varied understanding of ethnic culture in Lithuania, the author offers several possible ways out: 1) if most ethnologists and cultural workers in Lithuania have accepted the fundamental postulate of ethnos theory, recognising that ethnic culture can be discerned from the entirety of the culture of the nation, then the notion of ethnic culture existing in the theory of ethnos should also be adopted; 2) if this understanding is rejected, then guidance should be taken from the theoretical approach existing in the ethnology of Western countries requiring us not to apply the notion of ethnic culture when discussing cultures of nations.

Motiejus Valančius paid attention to the depiction of the relationship between a man and a woman (husband and wife) in his didactic creative work. The main aim of the Bishop of Samogitia was to educate people in the spirit of religion and morality. In Valančius‘ opinion, a good relationship between spouses is determined by equality between a man and a woman, cooperation, and equal responsibility for the children‘s upbringing. For this reason, the compatibility of social-caste, cultural and religious features between both spouses is important. The report reveals how Valančius created didactic precepts in order to create a harmonious relationship between a man and a woman.

The purpose of this article is to answer the questions raised in the course of the research on the development of textile pocket of the national costume of Lithuania Minor in relation to the motivation for production and wearing of pockets, the choice in decoration characteristics, the symbolism of ornamentation and colour combinations. The analysis of the accomplished field research reveals the manifestations of the expression of the ethnocultural identity through production and wearing of textile pockets. The analysis of the symbolic meanings traditionally attributed and newly assigned to the chosen decorative elements of pockets reveals the cases of the continuity and change of a symbol. The act of wearing a pocket not only with the national costume of Lithuania Minor demonstrates the expression of one’s identity through wearing the chosen parts of clothing. The growing demand stimulates the production of textile pockets. The research analyses the material collected from the well-informed presenters (makers and wearers of textile pockets) based on the questionnaires compiled by the author of the present article.