Klaipėdos universitetas

The particular phenomenon of a Baltic style emerges in contemporary Lithuanian, Latvian and Estonian organ music, related to the dimension of the depth and the cycles of waves, rising to appocalyptic transcendentality. Its features are like the style of eternity: eternal melody, monotony of rhythm, the power of the depths concentrating on eclipse and enlightenment. The philosophy of religion and nature, as well as aspects of pantheism, the search for ‘another space’, and the paradigm of the horizon of visuality, are clearly hidden in this semantic. All these ideas featured in the music could be called a Baltic phenomenon, the motivation of which is based on a confrontation with the agressive nature of the north and the Russian Empire. This concept is supported by the Baltic self, and is extended by the Lithuanian identity reconcept: the turn to Baroque and European connections in culture, statehood and the rationalism of the Enlightenment.

A lack of detailed information on pollen from the Gauja River valley potentially limits the

The movement of Vikings not for all regions of our continent was concussion of bases of public life. In Grobiņa and on Kaup Scandinavians didn’t manage to take decisive places in these settlements and their activity proceeded under strict control of local power structures. Westbaltic sacral phenomenon became the absence reason in Grobiņa and Kaup of settlements with the lines typical for the trade and craft settlement of an era of Vikings.

For the last 20 years, the Baltic Sea has been affected by many upheavals, not only geopolitical but also economic. They have forced

Among the barrows attributed to the local Slavic population in the area of the left bank of the Upper Oka and right bank of the Upper Desna are barrows where the burial rites differ from the local inhabitants’. Different types of burials, a man’s burial with weapon and a horse, a horse’s burial, a horse’s burial with a man’s or animal’s cremation, a man’s burial with weapons, a man’s burial with a bird’s burial, a man’s burial under a rectangular stone barrow, were typical burial customs of Baltic and Finno-Ugric inhabitants in the 11th to 13th centuries AD.