The paper discusses the expression of childhood images in the creative works of three outstanding Lithuanian directors with different creative visions. Its aim is to explore and characterise some of the traits of childhood expression in the productions of Rimas Tuminas, Oskaras Koršunovas, and Eimuntas Nekrošius, as well as to discuss potential influences on the formation of their world outlooks and creative styles. The paper presents the key motiffs of childhood that made an impact on the development of the directorial concept and stylistic expression in one or another production. The author seeks to disclose the opportunities of artistic transformation of the events, impressions, or traumatic situations experienced in the childhood in the creative work of directors of different generations.
Intellectual capital as a discipline appeared a decade ago as a result of practitioners’ observations proving the need to raise the issue up to the scientific level and management discipline. The history of the new science is very short compared to other fundamentals and what is important it is developing at rocket speed that attracts extensive attention to the field. Intangible assets are major creators of business value and a source of competitive advantage. This statement can be proved by the fact that intangibles represented 87% of the market capitalization of listed companies forming part of the S&P 500 stock-market index in 2015. Moreover, investments in R&D in many cases exceed the profit of the company to ensure long-term progress and business success in the future pioneering in the market. Therefore, innovation leads to investment in the creation of intellectual capital for businesses and provides opportunities for researchers and practitioners. The aim of research is to revise the findings of scientific papers, analysing the evolution of the phenomenon throughout the time span. The findings of the paper present the structure of modern research and the block chain of the research evolution on intellectual capital as well as identify gaps and open questions to analyse.
The ability to measure public sector performance is a necessity for policymakers as well as academics and citizens of a country. This article aims to identify ways of measuring public sector performance using the measurement applicable to all countries and outlining opportunities for comparability among them. Thus, the authors highlight opportunities for performance measurement and public sector efficiency using various methods of non-parametric and parametric analysis. The starting point of the analysis considers the concept of performance, encompasses the proposed terms of productivity, efficiency and effectiveness; therefore, the measurement of public sector performance requires an exhaustive analysis in multidimensional terms, covering all core areas of a country. Moreover, understanding and developing robust international comparison possibilities will give in practice a structural framework for measuring the performance of particular relevance. Study findings indicate that performance measurement and implicitly public sector efficiency is a complex and difficult task that goes beyond simply measuring of productivity and efficiency, and requires aggregation of several key areas related to the results of a state. In summary, the analysis framework of the performance and efficiency of public sector is outlined both in terms of relevance of indicators and the methodology used. It demonstrates that methods of non-parametric analysis work at their best when all aspects of the production process can be captured in a limited number of input and output dimensions.
Journal:Archaeologia Baltica
Volume 11 (2009): The Horse and Man in European Antiquity (Worldview, Burial Rites, and Military and Everyday Life), pp. 305–313
Abstract
Abundance of horse graves and very expressive horse-offering rituals are well known in the Central region of Lithuania. But principally the new material has been obtained after the investigations of burial ground in Marvelė. Horse graves are usually found separate from human graves, composing special parts of “horse graveyards” in the cemeteries. Arrangement of these parts with horse graves are related to local micro-landscape. The natural and cultural elements with memory signs embody the environmental cosmology and are involved into the mythology. The horse burial places suggest the ceremonies of public displays. The horse becomes a contributor which helps to cross the border between mythological spaces.