Klaipėdos universitetas

The purpose of this article is to answer the questions raised in the course of the research on the development of textile pocket of the national costume of Lithuania Minor in relation to the motivation for production and wearing of pockets, the choice in decoration characteristics, the symbolism of ornamentation and colour combinations. The analysis of the accomplished field research reveals the manifestations of the expression of the ethnocultural identity through production and wearing of textile pockets. The analysis of the symbolic meanings traditionally attributed and newly assigned to the chosen decorative elements of pockets reveals the cases of the continuity and change of a symbol. The act of wearing a pocket not only with the national costume of Lithuania Minor demonstrates the expression of one’s identity through wearing the chosen parts of clothing. The growing demand stimulates the production of textile pockets. The research analyses the material collected from the well-informed presenters (makers and wearers of textile pockets) based on the questionnaires compiled by the author of the present article.

The purpose of the article is to determine the typological characteristics of decoration of the delmonas of Lithuania Minor and of the national costume pockets of neighbouring nations. This article discusses Klaipėda region delmonas, the pockets of Estonian, Finnish, Swedish and Norwegian costume, and the attachable pockets of noble class’s attire of various nations preserved in museums. The decorations of the pockets were studied to support or refute the influence of the fashion of nobility and of international relations on folk costume decor formation and change. The research allowed to identify the decorating techniques, pattern variation and matching features of the pockets.

The article is devoted to the ethnographic and folk art research studies on sacral folk art and its decoration in Lithuania and Poland, paying attention on memorials of the roadsides, cemetery and other places. Lithuania and Poland are two neighbour countries with their landscapes decorated by sacral folk art and architectural works. The aim is to review the main attributes of the works of Lithuanian and Polish sacral folk art, to identify the similarities and differences of their decorations and methods of production. Nowadays memorials seen on the roadsides and cemeteries are the examples of folk art history, living tradition and influence of the industry and new technologies. They reflect the religious and cultural heritage of a nation. Memorials leave the first impression of the character and value system of a particular nation.