The article is part of a study aimed at a comparative analysis of the peculiarities of Ukrainian pysanky and Lithuanian margučiai in the context of pre-Christian and Christian paradigms of world-view: their role in the ritual culture of Lithuania and Ukraine, the symbolism of decoration, and the technique of performance. The aim of the article is to study the ritual functions of Ukrainian pysanky and Lithuanian margučiai. The research revealed the variability of the names of Ukrainian and Lithuanian ritual eggs in the context of pre-Christian and Christian cultures (the difference between the Ukrainian pysanka, the Lithuanian margutis, and Easter eggs); the similarities and differences in their use in traditional rites of choosing a pair and commemorating ancestors in Lithuania and Ukraine; and their gradual structural and semantic changes under the influence of Christian culture. The foundations are laid for the reconstruction of the original form and content of the rites in which pysanka, krashanka and margutis were (and are) used.
This study aims to investigate the availability of earth pigments in the Lake Burtnieks area in Latvia and to analyse the use and symbolic significance of ochre during the Stone Age.
Within the study, potential earth pigment samples were collected during the survey. These samples were analysed by laboratory methods — X-ray powder diffraction (XRD) and X-ray fluorescence (XRF) spectroscopy — and compared to ochre samples obtained from archaeological contexts (the Riņņukalns settlement and Zvejnieki archaeological complex). The use of ochre during the Stone Age was characterised by analysing the archaeological context, specifically focusing on the Zvejnieki burial ground.
The results of this study reveal a great variety of ochre use in the burial traditions of the Zvejnieki cemetery. Furthermore, significant chronological differences in the use of ochre in the burials were distinguished. From an ethnographic and folkloric perspective, it is likely that ochre, with its red colour, had a deep symbolic value and was an integral part of the burial process. Chemical and mineralogical analysis shows that although ferric sediments are widespread in the surroundings of Lake Burtnieks, none of the samples collected corresponded to those from the archaeological context. However, significant similarities between archaeological samples from Zvejnieki and Riņņukalns were identified.
This article examines the symbolism of birds in the decoration of chests of drawers, based on material in the collection of the Department of Ethnic Culture and Anthropology of the Lithuanian National Museum, using material on Baltic sources of religion and mythology.
The Lithuanian National Museum has probably the largest collection of chests of drawers from all ethnographic regions of Lithuania, but mainly Samogitia and Aukštaitija: 138 inventory units, including a collection of ethnographic drawings that has never been investigated.
The material in the funds of the Lithuanian National Museum, as well as the chests of drawers and drawings which have been collected since the first ethnographic expeditions in 1948, are still being added to.