Klaipėdos universitetas

The particular phenomenon of a Baltic style emerges in contemporary Lithuanian, Latvian and Estonian organ music, related to the dimension of the depth and the cycles of waves, rising to appocalyptic transcendentality. Its features are like the style of eternity: eternal melody, monotony of rhythm, the power of the depths concentrating on eclipse and enlightenment. The philosophy of religion and nature, as well as aspects of pantheism, the search for ‘another space’, and the paradigm of the horizon of visuality, are clearly hidden in this semantic. All these ideas featured in the music could be called a Baltic phenomenon, the motivation of which is based on a confrontation with the agressive nature of the north and the Russian Empire. This concept is supported by the Baltic self, and is extended by the Lithuanian identity reconcept: the turn to Baroque and European connections in culture, statehood and the rationalism of the Enlightenment.