The article deals with folk traditional aerophonic instrumentation of Volyn and Polissya, its varieties, characteristic features, the way of making and living. The structure of melo music of the connoisseur music in the context of the pasty life of the studied region is analyzed.
The article deals with the structural-genetic and cultural-genetic aspects of table evolution. Varieties, design features as a separate element, as well as element of the interior of the dwelling (stationary benches, mobile benches, small benches) have been analysed. The table in the Polissya dwelling performed originally a sacred-symbolic function as it was investigated in field material and written sources. Table played a role of a kind of a home altar. As a place for everyday eating table began to be used quite late. Table predecessors were stationary benches, mobile benches and small benches.
The Swiders of Ukrainian Polissya used mainly local raw materials. The final preparation of pre-core for usage was forming the platform and the working surface. The main Swiderian type of core of Ukrainian Polissya is double opposite platform cores with one working surface. A typical form of Swiderian pressure cores of Ukrainian Polissya is cone-shaped and pencil-shaped. Microblades were made to be inserts into arrowheads of organic material. The joining of organic and stone elements for producing narrow-slot points is not traditional for Swiderian technology in Ukrainian Polissya. The technology, which fuses organic materials with stone elements for producing narrow-slot points, is typical of Steppe cultures. This tradition is from Kukrek Culture.