Journal:Archaeologia Baltica
Volume 10 (2008): Astronomy and Cosmology in Folk Traditions and Cultural Heritage, pp. 57–61
Abstract
The antiquity of the Egyptian ritual of the “stretching of the cord” can be traced back to the 1st Dynasty, although the possibility that it was even older can not be absolutely discarded. Right up until the latest representations of the ceremony, which date to the Roman period, one goddess always appeared in it: Seshat. The iconography of the ritual retained throughout several features that are present in the earliest scene known, dating to king Khasekhemuy. We know that the “stretching of the cord” was used for the orientation of Egyptian constructions and that the scenes represented in several temples were accompanied by texts with astronomical references. During the Ptolemaic period, these texts referred to the constellation Meskhetyu. However, it is the question of the iconography of the goddess, and especially of her hieroglyphic sign, that has moved us to propose a new hypothesis for the technique developed and used during the foundation ceremony. Despite many theories, there is no definitive explanation of the sign held by Seshat over her head. The hypothesis we consider here takes into account the
apparent similarities that exist between the depiction of Roman gromae and the hieroglyph of the goddess. The fact that they are both associated with building orientation leads us to suggest that the sign was not only used as an identification of the goddess, i.e. her emblem, but also represented an actual topographic instrument, similar to a groma, that would have served to orientate the buildings according to certain rules that are referred in the hieroglyphic texts.