In context of the cultural identity and regional studies, the article evaluates the contribution of researchers from Kurzeme Institute of Humanities, Liepāja University, into research and preservation of the historical and cultural heritage of Kurzeme region. The aim, the main tasks, the development of conception and the course of implementation of The Encyclopedic Dictionary of Kurzeme Culture (since 2012) are described as well as its thematic sections (biographies of the prominent personalities in literature and theatre, and the cultural values they have created after Latvia regained its independence). The examples give an insight into the dictionary’s content and provide the evidence for analysis of the main problems in material selection, development of the body, structure and content of the dictionary entries. The article also indicates the possible solutions in the future (development of other thematic sections, addition of audio and video recordings) and discusses the possibility of digitization of the dictionary in order to ensure its accessibility to large audiences.
The representation of the witch in Lithuanian mythological folk narratives and beliefs and her malicious activities as well as ways of preventive protection against these malicious activities are introduced in the present article. No focus was laid on numerous diverse malicious activities of the witch which encompass various fields of human life and the considerable number of ways and measures to protect against them in folk narratives and beliefs as passed on by people so far. Important to mention that the witch of the folk tales that is different from mythological folk narratives’ one is not ascribed to the object of research; and also, the sorceresses operating in mythological folk narratives are not ascribed there – because of their functions that do not concur with the ones performed by witches. The aim is to analyse the material found in written sources about the wrecking of the folk witch and the human preventive protection measures against witch wrecking ways. The objectives of the thesis: to distinguish the preventive ways of protection from witch wrecking found in folk narratives and beliefs; to distinguish between the potential universal protection measures against witch wrecking; to assess the intensity of witch wrecking during calendar feasts and to analyse the degree of variation of typical protection measures; to assess the intensity of witch wrecking and also the need of preventive protection during family feasts. The descriptive, the comparative and the interpretative methods were employed in the study.
This article open national connection of spring Pydlyassha folklore on the base of comparison with repertoire of neighbour ethnographical regions. The comparative analysys of song examples from Pydlyassha is realized on the foundation comparison of main motive of Pydlyassha spring songs and neighbouring ethnographical songs. The article also analyses existing different kind of names for spring calendar songs on the territory of Pydlyassha and other neighbouring regions.
In order to be distinguished from the conventional verbal interactional context deliberate violations of the metadiscursive matrix are employed: 1) the informal register instead of the formal; 2) gradable adjectives and superlatives violate the expectation of objectivity and accuracy; 3) the self-conscious pragmatic-rhetoric strategies; 4) ample use of vulgarisms and offensive addresses; 5) a diversity of rhetoric means.
These idiosyncratic variations function as the strategy of identification with the audience, and the effects achieved are as follows: 1) gaining attention; 2) distinguishing oneself from the context of similar speakers; 3) gaining and demonstrating power; 4) suspense; 5) convincing and persuasion for taking action.
Within the framework of the present work the phenomenon of the national cooperative communicative behaviour has been characterized, its basic episteme has been determined, the meta-language and tools have been analyzed. In particular, the methodological fundamentals of the study of the national cooperative communicative behaviour and the main trends in the methodology of his research have been observed. The special attention has been paid to the description of the anthropometric method as a component of an integrated method of analysis of the national cooperative communicative behaviour.
Martynas Liudvikas Rėza (Martin Ludwig Rhesa, 1776–1841) is not only one of the most famous Lithuanian in the history of Lithuanians writings, but also a famous member of the Königsberg Masonic lodge Zu den drei Krönen, who has been astonished by the amplitude of his interests and the abundance of his works that still surprising. The range of activities of Rėza, his literary ambition range are wide – from the religious writings to the publishing of secular literature and folklore. Carefully going into the professors’ Lithuanian activities, the aspect of Rėza’s Masonry is important. Masonic echoes are found in Rėza’s publishing activities, correspondence and in relationships with well-known scholars and writers. The article aims to look more closely at the Masonic relations of Rėza in his Lithuanian activities.
The object of this publication is the anecdotes about famous people and personages of the movies and literature. The research helped to identify the most popular personages and describe the images of them. It can be done conclusion that in the anecdotes which are told in Lithuanian the personages of movies and literature are more popular than the real famous people (politicians, sportsmen or pop stars). The images of personages are ambivalent, they can be shown in positive situations but more often these personages are negative: the features of the characters are drawn ironically; the results of their activities are estimated in the mocking and even scornful way.
Among the important components of the decorative art of any people is the technology of making images. One of the forms of this technology is the basic technique (from Türk Baysa – “imprint”), which is one of the forms of realization of the imitation style. Using various forms (including – Baysa-technology) masters of different cultures and peoples sought in their creations imitating / copying works of more complex technology and, accordingly, more expensive. In fact, we are talking about imitation (de facto – about fakes) of affordable means of expensive samples. The review of the development of the Baysa-technique in the art of the Western Balts made it possible to make the ceremonial and status character of the items made in I thousand. AD the base method.
This article critically discuss and analize the predominant conception of Vydūnas as a representative of neovedantism. This predominant interpretation of Vydūnas religious identity was popularized by the most productive researcher of Vydūnas Vacys Bagdonavičius. Analysing methodological approach of V. Bagdonavičius and basing on hermeneutical view to fenomena of Vydūnas religious expression, it is indicated that the prime influence to Vydūnas religious identity formation was made by the junction and tension between Germanish liberal protestant theology and local, conservative ,,gathering crowd“ tradition, which impel Vydūnas to universal, confessionally neutral and sincretic interest for religions. Article reveals hypothesis, that Vydūnas creative- religious espression could be perceived as a development of basic liberal protestantic belief principles and its adaptation to concrete historical-cultural also political East Prussia lithuanians situation, in order to avoid confrontation between this two different religious traditions and politically consolidate nation.
Collecting folk music and ethnographic materials for a long time in one locality forms a collection of records and the analytical database. This allows you to make a comparison and reveal the dynamics of the change in the people’s traditions, identify the factors that affect it. For ethnomusicologists, there is rarely a happy opportunity to compare modern folk music records (late 20th – early 21st centuries) with materials from the late 19th – early 20th centuries (at that time the foundations of traditional life were still preserved). One of such opportunities is provided by records in the village Romanovka in the Popelnya district of the Zhytomyr region (north-eastern edge of the Podillia). In this village folk customs, rituals and songs began to fix approximately the 1870s. The article covers the song genres of the calendar cycle: carols («kolyadki»), «schedrovki», spring games and round dances («khorovody»), «petrovki» and reaping («zhnyvni») tunes. Records of the beginning of the XXI century with musical notations are published for the first time.