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  <front>
    <journal-meta>
      <journal-id journal-id-type="publisher-id">AHUK</journal-id>
      <journal-title-group>
        <journal-title>Acta Historica Universitatis Klaipedensis</journal-title>
      </journal-title-group>
      <issn pub-type="epub">1392-4095</issn>
      <issn pub-type="ppub">1392-4095</issn>
      <publisher>
        <publisher-name>KU</publisher-name>
      </publisher>
    </journal-meta>
    <article-meta>
      <article-id pub-id-type="publisher-id">35_135-159_SPARITIS</article-id>
      <article-id pub-id-type="doi">10.15181/ahuk.v35i0.1878</article-id>
      <article-categories>
        <subj-group subj-group-type="heading">
          <subject>Article</subject>
        </subj-group>
      </article-categories>
      <title-group>
        <article-title>Zeugnisse der Epoche der Konfessionalisierung in Kunstwerken Livlands | Manifestations of the Period of Confessionalisation in Works of Art from Livonia</article-title>
      </title-group>
      <contrib-group>
        <contrib contrib-type="Author">
          <name>
            <surname>Spārītis</surname>
            <given-names>Ojārs</given-names>
          </name>
          <email xlink:href="mailto:osparitis@gmail.com">osparitis@gmail.com</email>
          <xref ref-type="aff" rid="j_AHUK_aff_000"/>
          <xref ref-type="corresp" rid="cor1">∗</xref>
        </contrib>
        <aff id="j_AHUK_aff_000">Art Academy of Latvia</aff>
      </contrib-group>
      <author-notes>
        <corresp id="cor1"><label>∗</label>Corresponding author.</corresp>
      </author-notes>
      <volume>35</volume>
      <fpage>135</fpage>
      <lpage>159</lpage>
      <pub-date pub-type="ppub">
        <day>15</day>
        <month>12</month>
        <year>2017</year>
      </pub-date>
      <pub-date pub-type="epub">
        <day>15</day>
        <month>12</month>
        <year>2017</year>
      </pub-date>
      <permissions>
        <copyright-year>2017</copyright-year>
        <copyright-holder>Klaipėda University</copyright-holder>
        <ali:free_to_read xmlns:ali="http://www.niso.org/schemas/ali/1.0/"/>
      </permissions>
      <abstract>
        <p>How were the Reformation and a variety of different confessionalisations manifested in material culture? The article discusses this issue by presenting a dozen examples of works of art relating to the present territory of Latvia. In 1521, when urban citizens there responded to the ideas of the Reformation for the first time, a large part of present-day Latvia belonged to a conglomerate of various holdings called the Livonian Confederation. The religious polarisation of society characteristic of the early period of the Reformation (the 1520s) is represented in works of art discussed in the first chapter. The second chapter discusses works from the period of political instability caused by the First Northern War (1558–1583). It is characterised by Livonia’s political, cultural and confessional division, of which representations can also be seen in many examples of the visual arts.</p>
      </abstract>
      <kwd-group>
        <label>Keywords</label>
        <kwd>Livonia</kwd>
        <kwd>Reformation</kwd>
        <kwd>confessionalisation</kwd>
        <kwd>visual art</kwd>
      </kwd-group>
    </article-meta>
  </front>
</article>
