The article is devoted to the new results on literary research about the power of memory in “Roadside Doggy” by Czesław Miłosz (1911-2004). Cz. Miłosz remembers episodes from his life in Vilnius, which is a proof of his special point of view. Miłosz’s journey, which started at the beginning of the previous century, has no limits in “Roadside Doggy”. “Two horses driven carriage” goes without obstructions, penetrates deeply into the mind, and reaches the farthest neighbourhoods. It is a kind of account with one’s past according to the idea that “man without memory is nearly dead and represents the inferior part of humanity.”