Naturalistic figural art is rare in the Merovingian period. However, during the period of Christianisation (late sixth/seventh century AD) one can observe a considerable increase. One of the motifs – a victorious equestrian – arrived north of the Alps in the late sixth century, most probably with Frankish warrior groups who took part in the wars in northern Italy. Image carriers were part of prestigious horse equipment. However, north of the Alps the motif was transformed completely from that of the warrior’s world into the female world.